Awheto and ngarehu
Two pigments for two jobs: *awheto*, a caterpillar fungus, for the body; *ngarehu*, burnt timber, for the darker face colour.
Soot, charcoal, indigo, gall and cinnabar — and what they were mixed with before they went in.
Two pigments for two jobs: *awheto*, a caterpillar fungus, for the body; *ngarehu*, burnt timber, for the darker face colour.
Ash or soot from a fire, ground and mixed with water, oil, plant juice or animal bile.
คราม
Pigment from the indigo plant, used by the Ainu and reported for the blue lines on Chin women's faces.
เขม่าตะเกียง
Soot collected from a lamp, mixed with water as it is needed. Under the skin it reads blue-black, and it does not leave.
The ink used in Japanese hand tattooing, which reads blue-grey under the skin rather than flat black.
Ballpoint ink, India ink or whatever is to hand — the modern improvised pigment.
Soot, honey and sometimes saliva, pricked in with a needle.
Soot mixed with breast milk, reported as the Kurdish preparation.
ชาด
Cinnabar red, diluted, mixed with herbs and other things, and used for charms rather than for the standing marks.