Amazigh marks
North Africa: women's chin, forehead and hand marks, in a geometric vocabulary shared with weaving and pottery.
28 traditions of marking skin by hand — who is marked, who does the marking, and where on the body
North Africa: women's chin, forehead and hand marks, in a geometric vocabulary shared with weaving and pottery.
Taiwan: a band down the forehead, and a second mark earned — by a man for taking a head, by a woman for mastering the loom.
Women's faces, marked between fifteen and twenty, in a pattern that names the tribe: full-face, part-face, dots, lines, or both.
Kurdistan: marks on women's faces, hands and feet, for protection, for health, and to say which tribe.
Yunnan: Derung women marked on the face at twelve or thirteen, in a tradition now carried by a handful of elders.
Northern and central India: women's marks, pricked by women, carried out of India to the Caribbean by indentured labour.
The Ryukyu Islands: marks on the backs of women's hands, outlawed by Japan in 1899 and now being put back on.
Hainan: Hlai women marked on face, throat, arms and legs in patterns that told one lineage from another.
Every up-country Burmese man wore one: a sheet of dark-blue animals from the navel to below the knee, begun in boyhood.
Japan: needles bound with silk to a wooden rod, worked by hand — *tebori*, carving by hand — over years, in a design that covers the body like a…
Nagaland and across the Myanmar border: chest and face marks a man received for taking a head.
สักขาลาย
The Lanna leg tattoo: waist to knee, sometimes to the ankle, dense enough that the murals paint it as a pair of black trousers.
สักยันต์
Letters, numbers and figures arranged into a diagram — *yant* — and pricked into skin with a long needle.
การสักของไทใหญ่
The same leg work as the Burmese, carried further — to the ankles, up the back, and on the specialists who tattooed everybody else's charms.
Bosnia: Catholic girls' forearms and hands marked with crosses, circles and fences, pricked with soot and honey.
The one everybody has seen: a needle, ink, no machine — punk kitchens, prisons, and now studios that do nothing else.
The Philippine traditions, tapped with a hafted thorn at ninety to a hundred and twenty strikes a minute.
The Cordillera mountains of northern Luzon, where Spanish rule never reached and the tattooing was never interrupted.
Borneo: tapped designs carved on a block and printed onto the skin, with hand marks reserved for a man who had taken a head.
Upriver Borneo, where the tattooists were women and the work went on a woman's forearms, thighs and feet across years.
The Mentawai islands, west of Sumatra: long lines laid along arms, chest and legs, added to at each stage of a life.
The Marquesas: coverage so complete that Willowdean Handy's 1922 survey had to be drawn panel by panel to record it.
Samoa: a comb of bone and turtle shell, struck with a mallet, covering a man from the middle of the back to the knees.
Fiji: girls marked at puberty by older women called *dauveiqia*, paid in tapa cloth and whale teeth.
Inuit tattoos: women's work on women's skin, stitched with a sooted thread drawn under the skin, or poked.
Hokkaido and Sakhalin: a woman's mouth ringed with indigo, begun in childhood and widened until she was ready to marry.
New Zealand: albatross-bone chisels struck with a mallet, cutting a groove that stays visible as texture, not only as colour.
Jerusalem and Egypt: a cross on the inside of the wrist, marking a pilgrimage — and a family that has been doing it for around seven hundred years.