Amulet Atlas

amuletsBrigid's crossCros Bhríde

said kross VREE-djeh

also: St Brigid's cross · Crosóg Bhríde · Bogha Bhríde · St Brigid's Bow · wheel cross

amuletBritain and IrelandDiasporaIrelandUnited Kingdom

A small cross woven from straw or rushes, defined by its material rather than its shape. The National Museum of Ireland sorts them into seven classes: diamond, single or multiple; the swastika type, with four arms or three; the wheel type; the interlaced type; plain Latin crosses made of straw or rush; bare wooden crosses in the Latin or Greek style bound with straw; and a miscellaneous class. The commonest is the diamond or lozenge: two sticks crossed to make a frame, with straw woven into a diamond at the centre, and sometimes further diamonds on each of the four arms.

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Irish Cros Bhríde, 'Brigid's cross', for Brigid of Kildare; the variants Crosóg Bhríde, 'Brigid's little cross', and Bogha Bhríde, 'Brigid's bow'. cited

When

17th century to now still carried cited

PeriodEarly modern to the present
How the date is knowntextual — a dated text describes it
NoteThe source dates the first attestation of the practice to the seventeenth century. Brigid of Kildare was born around 450, but nothing dates the object to her lifetime and this record does not date it there.

Years are stored astronomically — 1 CE is 1, 1 BCE is 0, 500 BCE is −499 — and printed the way a reader says them. How these dates are made.

The thing itself

FormDoor or lintel piece
Made ofStraw · Wood · Thread and cord
GoesOn the roof · On a wall · At the door · Above the lintel
Made bythe household together, supervised by its head, on the eve of the feast
Counted4
Colourgold · green
Retiredyes — it is replaced rather than kept
Notecount is the arms of the commonest type; the Ulster variant has three. Rushes are used for the interlaced type and straw for most of the rest. Straw and rush are not keys in this atlas's material list and straw is entered as itself.

What its carriers say it stops

Reported, attributed, not tested here. Each row below is somebody's claim, with their name on it.

The story

The cross is woven on 1 February, the feast day of Brigid of Kildare and the date of Imbolc in pre-Christian Ireland, and hung from the rafters to bring the saint's blessing and protection for the rest of the year. The practice of making them is first attested in the seventeenth century.

Brigid herself left no historical record; she was born around 450 in Leinster, and almost everything about her comes from a hagiography written by the monk Cogitosus some two hundred years later. The story attached to the cross is a deathbed conversion: telling a pagan chieftain — in some versions her father — about the Crucifixion, Brigid gathered rushes from the floor and wove them into a cross, and the chieftain asked to be baptised. In another story she was handed a poisoned drink by a woman who meant her harm, and wove the cross to neutralise it.

The household version has a timetable. Families gathered rushes on 31 January. After the evening meal the head of the household supervised the rest of the family weaving, the finished crosses were left out overnight to receive Brigid's blessing, and on 1 February they went up in the main dwelling, the outhouses and the stables. Some households took the old ones down and replaced them each year; others let them accumulate between feasts. Discarded crosses were burned or buried, burial preferred, because of Brigid's associations with agriculture. The weaving was not confined to the feast: friends gave each other crosses to strengthen a bond, and newly married couples were given womb crosses to hang over the door, Brigid being a patron of fertility too. Outside Ireland, the crosses are hung in Glastonbury, on a local legend that Brigid visited the town in 488, and Irish families send them to relatives abroad or carry one when they leave.

The shape carries arguments. Some historians compare the central lozenge to the Mexican god's eye and to the Eurasian magic square. The swastika type, with its arms set at right angles off a central diamond, reads as a wheel in motion and may have originally stood for the sun; in parts of Ulster the same motion is made with three arms, which has been compared to the triskelion.

Its second life is national. After the Irish Free State gained independence in 1922 the cross became one of the motifs artists used to build a cultural identity separate from Britain's, alongside the shamrock and the harp. It went into the logo of the Irish Department of Health in the 1950s and, as of 2024, was still part of the logo of the Nursing and Midwifery Board of Ireland. It was chosen as the first station identification marker for Raidió Teilifís Éireann in 1962 — Alice Curtayne wrote that it was picked to evoke "the image of quiet, serene places in the springtime of our history, of rush-bordered rivers in a serene arcadian landscape" — survived nine redesigns, and was dropped in 1995 in favour of what the broadcaster called "a clean striking piece of modern design". Carol Coulter wrote in The Irish Times that Saint Brigid's cross had lost its place as a symbol of national identity, at least as far as the national broadcaster was concerned.

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How it is made and carried

Gather rushes or straw on the eve of the feast, 31 January. Weave after the evening meal, the household together. Leave the crosses out overnight for the saint's blessing. Hang them on 1 February in the house, the outhouses and the stables. Take them down and replace them at the next feast, or leave them to accumulate. Retire by burning or, preferably, burying. The direction they were hung in is not recorded — but the centre is described as a lozenge rather than a square, which suggests the cross was displayed as a saltire rather than upright.

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Now

Still woven. The weaving declined through the twentieth century, partly because house renovations made the crosses hard to hang in the old way, and 1 February has since been declared a national holiday in Ireland. In 1942 the Irish Folklore Commission ran a questionnaire on the Feast of Saint Brigid and collected several hundred crosses; in 2022 twenty-one of them went on display at the National Museum of Ireland – Country Life in Castlebar.

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Recognised by

What this is near

kinCorn dollythe other straw weave of these islands: the same hands, the other end of the year, and the harvest knots of County Armagh use the same lozengemotifThe crossthe sign it is named for, made in the one material a cross is almost never made inmotifThe swastikathe National Museum of Ireland's own name for one of its seven classes, and a reason this object needs the long readpracticeKnottingthe making: rushes gathered on the eve, woven by the household after the meal, left out overnightpracticeRenewing yearlythe rhythm — one a year on 1 February, or a rafter's worth accumulating over decadespracticeHanging at the doorwhere it goes: the rafters, the entryway, the outhouse and the stablepracticeBurning at retirementone of the two disposals the custom allows; burial is the preferred one, for a saint associated with agriculturetraditionEuropean folk apotropaic craftthe tradition it sits inside, and the clearest case of a Christian saint's day carrying an older calendar datecontrastCatholic sacramentalswhat it is not, formally: no priest blesses it, no indulgence attaches, and the blessing is asked of the saint overnightparallelRowan crossthe other cross of two crossed things bound at the centre, made for the same rafters against a differently named harmstoryThe swastika problemthe long read the museum's own class name requires

What names this one

Each in its own words, from its own page.

kinCorn dollythe other straw weave of these islands, and the one made on a fixed feast day rather than at the end of a harvest — the National Museum of Ireland files harvest crosses with itparallelRowan crossthe other woven cross of these islands, made on one named day, hung in the rafters, and replaced at the next feastcarriesEuropean folk apotropaic craftthe calendar half of it: rushes gathered on 31 January, woven that night, hung on 1 February, taken down and burnt or buried a year latercarried-byThe crossthe cross woven from rushes on 1 February and hung in the rafterscarried-byThe knotrushes woven on 1 February and pinned in the rafters for the yearcarried-byThe swastikathe National Museum of Ireland sorts one whole class of these woven crosses as the bent-armed typecarried-byHanging at the doorrushes in the rafters from 1 February, and again the following Februarycarried-byKnottingthe woven version: rushes gathered on 31 January, tied the same night, hung the next morningcarried-byRenewing yearlywoven fresh each 1 February from rushes gathered the night before

Where this came from

Elsewhere

Record updated 2026-09-16. This record as JSON. Every field carries its own provenance; the tier chips above say which.

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