signsThe nameשדי
said Shaddai, one of the biblical names of God
also: divine name · Shaddai · the 99 names · Ayat al-Kursi · Abraxas · fulu · talismanic script
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Practical Kabbalah's techniques for writing divine and angelic names are restricted within the tradition itself: they were held to be reserved for an elite, to require conditions of holiness and purity, and most Kabbalists taught their use is forbidden. Isaac Luria forbade his students to write amulets. Most practical Kabbalistic writing stayed in manuscript rather than going into print. This atlas prints that position and does not reconstruct the formulae. — Gershom Scholem's account of the tradition; Isaac Luria, who forbade his students from writing amulets and from other techniques of practical Kabbalah; Moshe Idel on the Spanish tradition source
The atlas prints the restriction and stops. Why.
A name of God, or of an angel, or a string of characters that stands in for one, written on the object and doing the work. Sometimes it is legible and sometimes it is deliberately not. On a mezuzah it is three Hebrew letters on the outside of the parchment. On an Islamic amulet it is one of the ninety-nine names, or a Qur'anic verse. On a Taoist fu it is a character that resembles Chinese writing and is not meant to be read.
citedWhen
late 7th century BCE to now still carried cited
| Period | Iron Age to the present |
|---|---|
| How the date is known | excavated — dug up in a dated context |
| Note | Start from the two silver scrolls found at Ketef Hinnom in 1979, inscribed with portions of the Priestly Blessing and apparently used as amulets, dated to the late 7th or early 6th century BCE. The later traditions in this record are separately dated in the prose. |
Years are stored astronomically — 1 CE is 1, 1 BCE is 0, 500 BCE is −499 — and printed the way a reader says them. How these dates are made.
The thing itself
| Form | Scroll |
|---|---|
| Made of | Parchment and vellum · Paper · Silver · Agate and onyx · Cloth |
| Goes | At the door · Above the lintel · On the upper arm · On the head · At the neck · In a pocket or a bag · On a wall |
| Made by | in Jewish practice, a trained scribe; in Taoist practice, priests taught the script in secret by their masters; in Islamic practice, specialists working from the names and the text |
| It says | Shaddai; Ayat al-Kursi (al-Baqara 2:255); one of the ninety-nine names of God; asemic Taoist talismanic script (Hebrew, Arabic, Han, Greek) |
What its carriers say it stops
Reported, attributed, not tested here. Each row below is somebody's claim, with their name on it.
- Demons and night-hags citedsaid by hadith on the Throne Verse, which say reciting it turns away devils and fiends
- The evil eye — harm carried by a look, often an admiring one citedsaid by the tradition around Ayat al-Kursi, which extends its protection to the evil eye
- Danger on a journey citedsaid by Muslims who recite the Throne Verse before setting out on a journey and before sleeping
- Another person's sorcery citedsaid by Surah Al-Falaq, used as a prayer to God against black magic
- Harm to a house or a field citedsaid by the reading of Shaddai on a mezuzah as Shomer Daltot Yisrael, Guardian of Israel's doors
- Illness — sickness in general, where no cause is named citedsaid by the Gnostics of Basilides, who used the written formula to call beneficent spirits against disease and misfortune
The story
Each tradition here has its own account and this record keeps them separate.
In Jewish practice the name on the doorpost is Shaddai, written on the outside of the mezuzah parchment opposite the space between the two passages; it also reads as an acronym for Shomer Daltot Yisrael, Guardian of Israel's doors, and many cases carry just the letter shin for it. The same three letters are built into tefillin: the head-strap's knot forms a dalet, the arm-strap's a yud, and with the shin on the head-box they spell Shaddai. But the practice is contested from inside. Maimonides allows the name on the outside and then condemns what people do with it: those who write the names of angels, other sacred names, verses or forms inside a mezuzah, he writes, are among those who do not have a portion in the world to come — they nullify the commandment, and turn a great commandment about the unity of God's name into a talisman for their own benefit. A bathroom and a small closet get no mezuzah, because the name of God is forbidden there.
Practical Kabbalah, Kabbalah Ma'asit, is the branch that uses divine and angelic names for amulets and incantations. Gershom Scholem's account is that much of its content predates the speculative Kabbalah and does not depend on it, being an accumulation of magical practices from Talmudic times through the Middle Ages. The Talmud and Midrash call the theurgic technique using the Divine Name. In the Hekhalot literature the angels guarding each heavenly level are bound by formulae and seals. The tradition restricts itself: it was held to be permitted only to an elite, and only under conditions that were holy and pure, and most Kabbalists taught that its use is forbidden.
In Islamic practice the amulet usually contains one of God's ninety-nine names, or the names of angels or prophets, or a Qur'anic verse, a pious phrase or an invocation, and has been described as a supercharged prayer. Virtually all Muslim scholars permit a talisman that calls on God or on an intercessor; addressing jinn or demons is prohibited. Ayat al-Kursi, the Throne Verse, al-Baqara 2:255, is the verse most often used: hadith say reciting it turns away devils and fiends, and it is recited before a journey, before sleep, and after every obligatory prayer. Because of that association it is also used against the evil eye. Letter-and-number work, ʿilm al-ḥurūf, combines the letters of one of the ninety-nine names with those of a desired object — the technique called jafr.
In Taoist practice the writing is meant to defeat reading. Fulu are talismanic script written on talismans by Taoist priests. Ge Hong noted in the Baopuzi, by the Eastern Jin, 317–420, that it was already unnecessary for the user to decipher the writing for it to work. Scholars including James Robson and Gil Raz argue the incomprehensibility is central to the talisman's perceived authority; Ge Zhaoguang of Fudan University calls it a deliberate linguistic archaism. The method of writing the characters is passed in secret from a Taoist priest to their disciples. Fulu were taken into forms of Chinese Buddhism and inspired the Japanese ofuda and the Korean bujeok.
Gnostic gems give the oldest surviving objects in this family that carry a name and nothing else. Abrasax, later spelled Abraxas, appears in nearly all the legends on the gems, in the Greek Magical Papyri and in Gnostic texts; the attempts to derive the name from Greek, Hebrew, Coptic or Egyptian have not succeeded. The seven letters may stand for the seven classical planets.
Inference — the four traditions agree on one thing only: the name is not decoration and the object is not the charm. What they disagree about is whether writing a name down is prayer, permitted craft, or an offence against the name itself.
What this is near
What names this one
Each in its own words, from its own page.
Where this came from
- Practical Kabbalah — Wikipedia read 2026-09-16
- Mezuzah — Wikipedia read 2026-09-16
- Tefillin — Wikipedia read 2026-09-16
- Throne Verse — Wikipedia read 2026-09-16
- Islam and magic — Wikipedia read 2026-09-16
- Fulu — Wikipedia read 2026-09-16
- Abraxas — Wikipedia read 2026-09-16
- Abracadabra — Wikipedia read 2026-09-16
- Ketef Hinnom — Wikipedia read 2026-09-16
- Kabbalah — Wikipedia read 2026-09-16
Elsewhere
Record updated 2026-09-16. This record as JSON. Every field carries its own provenance; the tier chips above say which.