Amulet Atlas

placesRoom 1: Enlightenment, the British Museum

also: The Enlightenment Gallery · The King's Library · BM Room 1

placeBritain and IrelandEverywhereUnited Kingdom

One long room off the Great Court, lined with tall wall presses and galleried in dark wood. The museum calls it the oldest room in the present building, put up for King George III's library and now holding a permanent display of eighteenth-century collecting. The objects are not grouped by country. They are grouped in seven disciplines an eighteenth-century collector would have recognised — the natural world, the birth of archaeology, art and civilisation, classifying the world, ancient scripts, ritual and religion, trade and discovery — so a Pacific shield, a Sumerian tablet and an astrolabe stand within a few steps of each other.

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When

the museum from 1753; this room's display as it now stands still carried cited

PeriodGeorgian room, present display
How the date is knowntextual — a dated text describes it
Note1753 is the founding Act, which the gallery's own text gives as 7 June 1753. This project did not read a date for the present display's installation.

Years are stored astronomically — 1 CE is 1, 1 BCE is 0, 500 BCE is −499 — and printed the way a reader says them. How these dates are made.

The story

This is the room about how the rest of the museum filled up. Sir Hans Sloane's cabinets are here; the museum's own gallery text says his collection, with several additional libraries, became the foundation of the British Museum, established by Act of Parliament on 7 June 1753.

The museum does not hedge about what else the period was. Its own page for this room says the Enlightenment "witnessed the aggressive global expansion of European colonialism and the transatlantic slave trade" and that "This room's displays reflect the close connection between Enlightenment and empire." Under Ritual and religion it writes that "Christian mistrust of superstition and idols, rituals and magic led to ignorance about other religions", that scholars set out to dispel that by studying the religions they met, collecting religious artefacts and grouping gods into families — and that "Much of this activity took place within the context of colonialism." Under Trade and discovery it names the East India and Royal Africa Companies, "whose wealth was made possible through the use of enslaved labour".

One object in this room carries a live claim. The museum's catalogue places a bark-and-wood shield, registration number Oc1978,Q.839, on display in Room 1, Trade & Discovery, Wall Press 96; it was donated by the Lords of the Admiralty and first registered and given a Q number in 1978. Rodney Kelly, a Gweagal man from Bermagui, began campaigning for the shield's return after it appeared in the exhibition Encounters at the National Museum of Australia, 27 November 2015 to 28 March 2016, and travelled to Britain three times, once in 2016 and twice in 2017; the chair of the La Perouse Local Aboriginal Land Council, Noeleen Timbery, has backed the return. The British Museum has refused, on the ground that British law does not permit it to hand the object over.

The identification is itself contested, and the museum says so on its own object page. Its curator's comments open: "Once thought to have been obtained on Captain Cook's first voyage to the Pacific, when he visited Botany Bay near present day Sydney, New South Wales, in 1770." The record now dates the shield "1771 (or earlier)" and finds the match with Sydney Parkinson's and John Frederick Miller's drawings only an apparent one. Inference — an object whose owner and whose date are both argued over is the right object to meet first in a museum, and this room is where a reader of this atlas should start before walking to the Egyptian cases.

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Now

Open with the rest of the museum, free, and unchanged in layout. The museum's own warning stands beside its hours: "Occasionally we may need to close galleries at short notice." This project has not stood in the room.

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Where

El Mercado de las BrujasThe BarkhorKhan el-KhaliliMerkatoMonastirakiVia San Gregorio ArmenoFushimi Inari-taishaSensō-jiMercado de SonoraThe Marrakesh soukThamelMana Whenua, Te PapaMercado de Brujas de GamarraQuiapo ChurchInsa-dongTha Phrachan amulet marketAkodessawa fetish marketThe Grand BazaarThe amulet and charm cases, Pitt Rivers MuseumThe Lovett charms at Wellcome CollectionThe Egyptian galleries, the Metropolitan Museum of Art

Great Russell Street, London · 51.5194, -0.1270 precision: street cited

the coordinate published on the British Museum's own Visit page, 51.519413319978, -0.12695659999997, read 2026-09-17; it locates the building, not Room 1 inside it

Opening days

MoTuWeThFrSaSu

Daily 10.00–17.00; Fridays until 20.30.

Filled = open, outlined = closed, blank = nobody published it. A blank stays a blank. checked 2026-09-17

What is on record about it

Where you can see one

An accession number appears here only where it was read off a catalogue page that is linked. No link, no number.

What this is near

orgThe British Museumthe institution this room explains — its founding collection, and the argument it makes about keeping thingspersonE. A. Wallis Budgethe keeper who did the next century's buying; the Egyptian amulets he brought are shown in other rooms, not this onecontrastThe Egyptian galleries, the Metropolitan Museum of Artthe comparison across the Atlantic: rooms that show what was dug, where this one shows who did the collectingcontrastThe amulet and charm cases, Pitt Rivers MuseumOxford's answer to the same question — group by what a thing is for, not by which discipline collected itstoryWho owns a charmthe long read on ownership; Wall Press 96 is where it stops being abstractstoryFree to usethe long read on licensing; this museum's images can be linked from here and not hosted herecontrastWikimedia Commonsthe repository that cannot take this room's photographs, because the museum's licence bars commercial use

What names this one

Each in its own words, from its own page.

held-atFoundation depositwhere deposits meant never to be seen are now on shelvescontrastThe Egyptian galleries, the Metropolitan Museum of Artthe comparison in London: a room about the collectors, where these are rooms about the digcontrastMana Whenua, Te Papathe other side of the same argument: a London room that keeps what it holds, where this one gave a meeting house's title backplaceThe British Museumthe room inside it this atlas sends a reader to

Where this came from

Elsewhere

Record updated 2026-09-17. This record as JSON. Every field carries its own provenance; the tier chips above say which.

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