placesMana Whenua, Te PapaMana Whenua
said MA-na FE-nu-a
also: Taonga Māori at Te Papa · Level 4, Te Papa
placeAotearoa New ZealandThe PacificNew Zealandneeds checking
Photography is not permitted in Mana Whenua, on the museum's own rule. Te Papa separately asks that images of taonga be used only for research, study, personal and educational purposes, because the material holds significant cultural importance to iwi. This atlas prints those limits, keeps to them, and does not reproduce Te Papa taonga images or print detail about restricted taonga beyond what the museum itself publishes. — Museum of New Zealand Te Papa Tongarewa, on its own Mana Whenua page and in its published copyright and terms of use source
The atlas prints the restriction and stops. Why.
Te Papa's permanent Māori exhibition, on Level 4 of the Wellington waterfront building. The museum's own description: taonga tuku iho — treasures handed down — "ranging from weaving, carving, and pounamu pendants, to waka and whare". A whare is a house; the whare here is Te Hau ki Tūranga, a carved meeting house standing inside the gallery. A waka is a canoe; Teremoe, a waka taua or war canoe from the Whanganui region used in the wars of the mid-1800s, is in the same room. Photography is not allowed. The lighting is deliberately low.
citedWhen
the building opened 14 February 1998; the carvings in it span seven centuries still carried cited
| Period | museum from 1992; taonga from seven centuries |
|---|---|
| How the date is known | textual — a dated text describes it |
| Note | The years date the gallery, not its contents. Te Papa's own figure of seven centuries for the whakairo in He Toi Whakairo is the museum's, not this project's arithmetic. |
Years are stored astronomically — 1 CE is 1, 1 BCE is 0, 500 BCE is −499 — and printed the way a reader says them. How these dates are made.
The story
These are not curios, and the museum does not frame them as any. Its collections page states the principle it works under: "Mana Taonga is a recognition of the power of taonga to communicate deep truths about our people." It counts more than 30,000 taonga registered in the Taonga Māori collection, from ancestral carvings, personal ornaments, garments and weaponry through to flaked stone, bird bone and shell from excavations, and it says the Mana Taonga principle guides its approach to access and research, aiming at "the reconnection of people to their tribal taonga".
The hei-tiki make the point about how objects travel. Te Papa holds over 200 of them, the largest single group anywhere; the British Museum has about fifty. Some were exchanged or given to European travellers and sailors at the earliest point of contact, and, in the encyclopedia's flat phrasing, "the majority were stolen or improperly obtained through colonial processes". The stone itself is now legally Māori: in 1997 the Crown handed ownership of all naturally occurring pounamu back to the South Island iwi Ngāi Tahu as part of their Claims Settlement. Pounamu is nephrite jade and bowenite, found only in the South Island, and Māori classify it by colour — kahurangi, īnanga, kawakawa, tangiwai.
The whare at the centre of the gallery is the clearest case in the building. Te Hau ki Tūranga is a nineteenth-century Rongowhakaata carved meeting house, confiscated by the Crown in 1867 and later held by Te Papa; ownership was returned to Rongowhakaata through the iwi's Treaty settlement, and the house stayed in the museum while the iwi-in-residence exhibition Ko Rongowhakaata: Ruku i te Pō, Ruku i te Ao ran from September 2017 to February 2022. The museum kept the object and gave back the title.
Te Papa also does the asking. Karanga Aotearoa is, in the museum's own words, "the government mandated authority that negotiates the repatriation of Māori and Moriori ancestral remains on behalf of Māori and Moriori"; Cabinet agreed in May 2003 that Te Papa should act for the government in returning kōiwi and kōimi tangata — ancestral skeletal remains — and toi moko, preserved tattooed heads held in institutions abroad. Between 1 July 2003 and 1 May 2024 it repatriated 850 Māori and Moriori ancestral remains from overseas institutions, from Australia, Austria, Canada, France, Germany, Sweden, the United Kingdom, the United States and elsewhere, and returned 76 to iwi within New Zealand. A Repatriation Advisory Panel oversees it, and iwi representatives set the place, the time and the details of each return.
From 29 August 2026 the carving argument is on show at scale. He Toi Whakairo: The Art of Māori Carving, running to August 2031 inside Mana Whenua on Level 4, puts more than 140 whakairo — carvings — from seven centuries in one place, many never exhibited before, under the whakataukī he toi whakairo, he mana tangata: the art of carving is the dignity of people.
Now
Open every day, 10am to 6pm, except Christmas Day. Entry is free for New Zealanders and people living in New Zealand and NZ$35 for international visitors aged 16 and over, as published on 17 September 2026; some exhibitions and experiences are ticketed on top. Mana Whenua is free with museum entry, is listed as wheelchair accessible, has variable lighting, and carries a no-photography rule. This project has not stood on Level 4.
Where
Cable Street, Wellington · -41.2905, 174.7821 precision: street inference
hand-placed on the Wellington waterfront at Cable Street, from the museum's stated location; no published coordinate was read. Southern and eastern hemisphere: latitude negative, longitude positive.
MoTuWeThFrSaSu
Open every day 10am–6pm.
Filled = open, outlined = closed, blank = nobody published it. A blank stays a blank. checked 2026-09-17
What is on record about it
- Photography restricted — "no photography" is listed on the museum's own page for this exhibition, alongside wheelchair access and variable lighting cited
- Repatriation under way — Karanga Aotearoa, mandated by Cabinet in May 2003: 850 Māori and Moriori ancestral remains repatriated from overseas institutions between 1 July 2003 and 1 May 2024, and 76 returned to iwi within New Zealand cited
- Publishes open images — two statements applied per image: openly available with no restrictions on reuse, or Creative Commons Attribution – Non-Commercial – No Derivatives; taonga images carry the museum's further request on top cited
Where you can see one
- Museum of New Zealand Te Papa Tongarewa — More than 30,000 taonga registered in the Taonga Māori collection, from ancestral carvings, personal ornaments, garments and weaponry to worked stone, bone and shell
- Museum of New Zealand Te Papa Tongarewa — Over 200 hei-tiki — the largest single group of them in any collection
An accession number appears here only where it was read off a catalogue page that is linked. No link, no number.
What this is near
What names this one
Each in its own words, from its own page.
Where this came from
- Mana Whenua — Museum of New Zealand Te Papa Tongarewa read 2026-09-17
- He Toi Whakairo: The Art of Māori Carving — Museum of New Zealand Te Papa Tongarewa read 2026-09-17
- Exhibitions | Ngā whakaaturanga — Museum of New Zealand Te Papa Tongarewa read 2026-09-17
- Taonga Māori at Te Papa — Museum of New Zealand Te Papa Tongarewa read 2026-09-16
- The Karanga Aotearoa Repatriation Programme — Museum of New Zealand Te Papa Tongarewa read 2026-09-16
- Visit — Museum of New Zealand Te Papa Tongarewa read 2026-09-16
- Copyright and terms of use — Museum of New Zealand Te Papa Tongarewa read 2026-09-16
- Te Papa — Wikipedia read 2026-09-16
- Hei-tiki — Wikipedia read 2026-09-16
- Pounamu — Wikipedia read 2026-09-16
- Rongowhakaata — Wikipedia read 2026-09-17
Elsewhere
- Mana Whenua — Te Papa
- He Toi Whakairo: The Art of Māori Carving — Te Papa
- Taonga Māori at Te Papa
- Karanga Aotearoa Repatriation Programme — Te Papa
Record updated 2026-09-17. This record as JSON. Every field carries its own provenance; the tier chips above say which.